منابع مشابه
Response: Music, image and the sublime
At the end of ‘Passion and striving: The language of emotion and political hierarchy’, Susan James discusses Burke’s concept of the sublime, tracing its origins in his criticisms of Hobbes, Malebranche, and Hume, who, James informs us, ‘made the mistake of supposing that fear is invariably a negative affect’.1 On the contrary, for Burke the experience of fear can arouse pleasure provided that w...
متن کاملSonification of the Tohoku Earthquake: Music, Popularization & the Auditory Sublime
The past century has witnessed the emergence of expressive musical forms that originate in appropriated technologies and practices. In most cases, this appropriation is performed without protest— but not always. Carefully negotiating a space for sound as an objective, scientific medium, the field of sonification has cautiously guarded the term from subjective and affective endeavors. This paper...
متن کاملInfinity and the Sublime
We are so used to think by ourselves that we almost forget how rare and strange this psychological feat actually is. The ability to retract ‘within’ oneself is a recent and culturally determined phaenomenon which was hardly available throughout the major part of human history.[9] To think is to think aloud. Even in our own Antiquity to think and to speak did largely coincide [7]. If we look at ...
متن کاملThe Sublime
In the film Independence Day (Emmerich, 1996), hundreds of gigantic spaceships invaded the earth, their shadows slowly blocked out the light in the cities over which they flew and filled the cinema screen with darkness. A group of humans gathered on top of a skyscraper over which one of the space ships hovered, in the hope that contact with an alien civilisation would promote the dawn of a new ...
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ژورنال
عنوان ژورنال: Textual Practice
سال: 2008
ISSN: 0950-236X,1470-1308
DOI: 10.1080/09502360701842033